Skip to content

R&Being

Meditations on Black music & more by writer/photographer Craig Seymour

Author: Craig Seymour

July 30, 2022December 19, 2022

Beyoncé’s Renaissance: ‘A celebration of disco-trap femme-inism’

Continue reading →
June 1, 2022December 19, 2022

Born This Way: How Black Gay Men Changed Pop Music

Continue reading →
October 18, 2021February 18, 2022

New bio frames B.B. King in terms of white approval

Continue reading →
June 15, 2021February 18, 2022

Mary J. Blige’s ‘My Life’ moved 90s R&B out of its adolescence, marking the moment when New Jack Swing grew up and became hip-hop soul.

Continue reading →
December 31, 2018April 26, 2020

Craig’s Best of 2018

Continue reading →
August 23, 2018November 18, 2018

Divine Diva: The Gays Who Shaped Aretha Franklin’s Gospel Soul

Continue reading →
June 14, 2016October 16, 2020

R&Books: Grace Jones – I’ll Never Write My Memoirs (review)

Continue reading →
February 1, 2016April 6, 2020

R&Books: Ruth Pointer – Still So Excited (review)

Continue reading →
August 6, 2011August 2, 2021

The Drums backstage at Lollapalooza (photo)

Continue reading →

Posts navigation

← Older posts

Menu

Bio

Craig Seymour is an acclaimed journalist who has been writing about music—mostly black music—for more than two decades. He has written for The Washington Post, Entertainment Weekly, Vibe, Paste, Spin, and other publications. He has also served as Pop Music Critic for The Buffalo News and The Atlanta Journal-Constitution.

He is the author of the biography Luther: The Life and Longing of Luther Vandross (HarperCollins, 2004), which was nominated for Best Biography by the Georgia Writers Association and Best Research in Recorded Rhythm & Blues, Soul or Gospel Music by the Association for Recorded Sound Research.

His journalistic research materials are housed as “The Craig Seymour Collection” at Indiana University's Archives of African American Music and Culture.

He wrote his first music review at age 13, while a correspondent for Newsbag, a children’s television show on WTTG in his hometown of Washington, D.C. The review was a rave of Afrika Bambaataa and the Soulsonic Force’s “Planet Rock,” which is now acknowledged as an electro hip-hop classic. Unfortunately, producers would only let him play the instrumental on-air for fear that rapping would alienate the audience.

craigspoplife-AT-gmail-DOT-com

@craigspoplife

Website Powered by WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy
  • Follow Following
    • R&Being
    • Already have a WordPress.com account? Log in now.
    • R&Being
    • Customize
    • Follow Following
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...